All You Need to Know About the International Klein Blue.
Yves Klein with his blue pigment-Requirement Your thesis and supporting arguments Observational research (as evidence) Primary source research (archives, interviews, objects, sites) Secondary source research (history, theory, library resources) 10 (or more) carefully curated and analyzed images-Annotated Bibliography At least 2 additional theoretical sources At least 2 historical sources The.
Cite this item: Leiby, B. K. (2011). The black monk and the blue mystic: the writings and monochromatic paintings of Ad Reinhardt and Yves Klein (Dissertation, Postgraduate Diploma in Arts).
Klein famously declared the blue sky to be his first artwork and from there continued finding radical new ways to represent the infinite and immaterial in his works. One such strategy was monochrome abstraction—the use of one color over an entire canvas. Klein saw monochrome painting as an “open window to freedom, as the possibility of.
As for his patented International Klein Blue, with some help Klein found a way to bind pigment directly to the surface without diluting the hue with medium.The resulting surface furthermore echoed Klein’s fascination with unlimited space. The objects attached to the canvas recall an otherworldly texture, like that on the moon. Furthermore.
In February 1962, Yves Klein prepares castings of Arman, Martial Raysse and Claude Pascal to realize Reliefs Portraits. (.) Yves came up with the idea of producing a series of relief portraits of his artist friends, based on life-sized plaster effigies, for a work that had not yet found its definitive form.
Yves Klein’s Performance “Anthropometries of the Blue Period”, 1962 Galerie International d’Art Contemporain, Paris,. Klein would cover a naked woman (sometimes a few women) in International Klein Blue, and she would put her painted body on the canvas, thus rendering her own figure the paintbrush. Yves Klein realising an Anthropometry with Elena in his studio, 1960 14 rue Campagne.
This iconic table is from the edition begun in 1963 under the supervision of Yves Klein’s widow, Rotraut Klein-Moquay, based on two models he designed in 1961.Klein died unexpectedly in 1962 and other than these two original models owned by his estate there are no vintage tables.
Blue Lunacy: Salt Lines and The Olbian Lamprey Part 2 Project 2013 Douglas John Wright Ryan James Hodge Edinburgh School of Architecture and Landscape Architecture Edinburgh UK Olbia is a city in danger of becoming fixated on tourism, risking all memory and recognition of its historically and mineralogically rich landscape. The hills and coastline of the Sardinian port city hold two of what.
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Yves Klein’s Leap into the Void was created in the same year of 1960. Here Klein is continuing to explore performance art, but here combining it with photography. This piece was created through photomontage, a technique that was familiar to photographers, but not as known to the public eye.
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Yves Klein - From the Painting category: The essential of painting is that something, that 'ethereal glue,' that intermediary product which the artist secrets with all his creative being and which he has the power to place, to encrust, to impregnate into the pictorial stuff of the painting. (Yves Klein).
In her collection Bluets, the poet and art critic Maggie Nelson writes about visiting London and seeing Propositions Monochromes, a collection of objects and canvases painted by Yves Klein in 1957.The only color used was a shade of ultramarine. Three years later, Klein would submit that color, under the name International Klein Blue (IKB), to the French patent office, resulting in patent.
This dissertation is an examination of the monochromatic paintings and associated writings of Ad Reinhardt (1913-1967) and Yves Klein (1928-1962). Since its inception in 1918, the modern monochromatic painting has continued.
In 1958, Yves Klein burst onto the art scene with Le Vide, a work in which he simply emptied a gallery interior and painted it entirely white.Three years earlier, Klein introduced his famous monochrome paintings that were technically nothing more than an ordinary canvas covered in flat, blue paint.
It was unique mixture made only by Yves Klein. He mixed it specially and added stuff (i think glass powder) to give it a velvety texture. You can experiment with blue and try to approximate it, but Its not manufactured anywhere on earth as far as I know.
Yves Klein Anthropometry: Princess Helena 1960. Klein directed the models, covered in International Klein Blue—his patented blue paint—to make imprints of their bodies on large sheets of paper. He staged the making of Anthropometries as elaborate performances for an audience, complete with blue cocktails and a performance of his Monotone Symphony—a single note played for twenty.